We Were Young | D.D. Verni

Last year D.D. Verni, bassist and founding member of fabled thrash metal band Overkill, released a solo album Barricade that featured many guest guitarists. Growing up in NJ, Overkill was a mainstay on my favorite radio station at the time, 89.5 FM WSOU, New Jersey’s hardest rock! Their albums from the ’80s were among my earliest CD purchases. Overkill was up there with The Big 4 in terms of heavy metal prowess, and that was what it was all about for me around the time I first started playing guitar.

Fast forward some decades, after meeting a friend of his after an Almost Queen show in Westbury, NY, D.D. contacted me about recording a Queen-esque guitar solo on the track We Were Young for the solo album he was working on. I jumped at the chance to collaborate with someone influential to my musical upbringing and did my best with my BMG Red Special replica to evoke a solo reminiscent of the good Doctor Brian May. I like how it came out and am glad D.D. asked me to contribute. Overkill’s influence still resonates around the world, as one of my current favorite bands, from Australia, King Gizzard and the Lizard Wizard cites drawing from Overkill as a source for their new thrash album, Infest The Rats’ Nest.

You can listen to the entire album Barricade on the Tube and at Amazon Music. For right now, I cued up the guitar solo I laid down on We Were Young, check it out…


We Were Young by D.D. Verni from the album Barricade, guitar solo by Steve Leonard (Almost Queen)

Break The Code: Stream tracks on Bandcamp

Break The Code is now available for purchase on bandcamp.com as a digital download and CD.


https://steveleonard.bandcamp.com/album/break-the-code

All Songs Written, Recorded and Mixed By Steve Leonard
Recorded At Omnijam Studio, Linden, NJ And The Hole, Oakland, NJ
Mastered By Ed Brooks, Resonant Mastering, Seattle, WA

Steve Leonard – Guitars, Lead Vocals, Bass, Percussion, Synth, Programming
Don Frio – Piano, Organ, Vocals
Michael Parillo – Drums
Joe Vernazza – Drums
Steve Leroy – Bass
Paul Kates – Piano, Vocals
Lizzy Kates – Violin, Vocals
Steve Graham – Whistle, Vocals
JP Garwood – Lyrics 1,6

My Name is Prince and I am Funky

When Prince sang “My name is Prince and I am funky. My name is Prince the one and only.” he was not kidding. When Doves Cry, the lead single from Purple Rain, was a huge pop hit when I was a kid. I probably heard 1999 at a roller rink before that, but that’s not what sticks out. Any way, I didn’t quite get what Prince was up to at the time. I was probably in 5th grade at a Catholic elementary school. I remember Purple Rain the movie, not really appealing to me as a 10 year old kid. It wasn’t meant to. That stuck with me, and while I liked some songs, it gave me an early impression of Prince as a fluffy pop star that girls liked.

A few years later, Judas Priest and Metallica would be playing a lot on my Walkman. CDs were popular, and after saving leftover lunch money to buy used CDs at a store in my hometown on a regular basis, they offered me a job. At The Compact Disc Broker in Roselle Park, some time after Prince’s The Black Album was pulled from being released, there were bootleg copies going around and one of the managers at the store filled me in on Prince’s music genius. (BTW – An original promo copy of The Black Album recently broke a price record on Discogs, selling for $15,000) I began to appreciate Prince, but at the time, Heavy Metal and Hard Rock ruled my ears for many years.

Senior year of High School, I worked at a different music store that I was a frequent patron off. The Music Hall in Westfield, across from The Gap, where I also worked. At The Music Hall I was introduced to Funk music. My good friend Ed schooled me in James Brown and introduced me to a local NYC funk band called The Authority. They were an incredibly tight band, with an unstoppable rhythm section, fierce guitar and sax, and a mesmerizing lead vocalist/percussionist. They had some strong original songs, and would also cover the likes of Funkadelic, James Brown, and Prince. We’d go see The Authority at The Wetlands in NYC many, many times, which lead to a personal Funk obsession.

I was struck by his guitar playing, but the more I checked out, the more I discovered Prince could do it all. Sing, dance, entertain, write songs, scream, form bands, offend people, make people cry, make people wonder, and play guitar like a MF. Miles Davis said “James Brown—his father took him when he was young, he got on the stage and danced with him. He has that, he has Jimi Hendrix, and Marvin Gaye. He combines all that, all the time. That’s what he is. And his stage persona, that’s Charlie Chaplin.”

Listening to Prince this past week, I’m reminded of the immense talent he was in this world. Sadly, it’s been a year since Prince is gone, but his music and influence live on. Prince and The Revolution really showed off what it is to be Funky. Good God.

Oh yeah, and this!

Black Sabbath | Madison Square Garden February 2016

Earlier this month Black Sabbath finished up their year long “The End” tour. I caught the beginning of the tour at MSG, which was one of my favorite shows of 2016. I’ve been a Sabbath fan for a long time. If you play electric guitar, how can you not? I know it’s not the same without Bill Ward, but since this tour seemed like a final chance to see Tony Iommi play guitar in the US before he stops touring, I had to go. I had never seen any incarnation of them live. While I listened to a lot of Heavy Metal growing up, by the time I was seeing concerts, my musical interest had changed.

I didn’t expect to feel as strongly about the show as I did. I went in casually ready to dig some classic Sabbath tunes live, but from the first notes of the first song, Black Sabbath, I had chills. The crushing riffs and sound was a reminder of what first inspired me to play guitar, and it was LOUD! The band just rocked The Garden through and through.

Ozzy sounded good, better than I expected, especially since they had cancelled a few date at the beginning of the tour due to him being sick. Geezer is a force of the bass, a distinct foundation to the sound of Black Sabbath. Tommy Clufetos hit the mark behind the kit, and he hit it hard. Tony Iommi is one of my favorite guitarists, and the mastermind behind so many incredibly powerful, seminal guitar riffs. Watching him play live was even more of a thrill than I anticipated.

I saw some of the most sincere “sign of the horns” I’ve ever witnessed being made throughout the arena, and of course I contributed as well! Heavy Metal knows no age.

There is some great audio of the first night floating around, which I mixed with some video I shot during the show you can check out here…



Photos by Steve Leonard

Black Sabbath, Madison Square Garden, NYC February 25, 2016
Tony Iommi, Black Sabbath, Madison Square Garden, NYC February 27, 2016
Geezer Butler, Black Sabbath, Madison Square Garden, NYC February 27, 2016
Black Sabbath, Madison Square Garden, NYC February 25, 2016
Tony Iommi, Black Sabbath, Madison Square Garden, NYC February 27, 2016
Black Sabbath, Madison Square Garden, NYC February 25, 2016
Black Sabbath, Madison Square Garden, NYC February 27, 2016
Tony Iommi, Black Sabbath, Madison Square Garden, NYC February 27, 2016
Tony Iommi, Black Sabbath, Madison Square Garden, NYC February 27, 2016
Tony Iommi, Black Sabbath, Madison Square Garden, NYC February 27, 2016
Tony Iommi, Black Sabbath, Madison Square Garden, NYC February 27, 2016
Black Sabbath, Madison Square Garden, NYC February 25, 2016